contact: photo@kghinzen.de
kghinzen.de
  • Home
  • All Galleries
    • Corfu 2024
    • BzH 2024
    • BzH 2024
    • Brittany
      • Ship Graveyard
      • BzH 2023
      • BzH 2017
      • BzH 2013
    • Ruhrpott
      • Zeche Hannover
      • Zeche Zollern
      • Zeche Zollern II
      • RUB NA
      • Distillery
    • Greetsiel
    • Köln
    • Ireland
    • Utah
    • Tunisia
    • Zoo
    • Oldtimer
    • Regensburg
    • Provence
    • Selinunte
    • Monument Valley
    • Macro
    • Forest in Spring
    • Garden
  • Blog
    • Making of
    • Camera
    • Darkroom
  • About
  • Contacts
  • Cookie Policy (EU)
    • Privacy Policy
  • Home
  • All Galleries
    • Corfu 2024
    • BzH 2024
    • BzH 2024
    • Brittany
      • Ship Graveyard
      • BzH 2023
      • BzH 2017
      • BzH 2013
    • Ruhrpott
      • Zeche Hannover
      • Zeche Zollern
      • Zeche Zollern II
      • RUB NA
      • Distillery
    • Greetsiel
    • Köln
    • Ireland
    • Utah
    • Tunisia
    • Zoo
    • Oldtimer
    • Regensburg
    • Provence
    • Selinunte
    • Monument Valley
    • Macro
    • Forest in Spring
    • Garden
  • Blog
    • Making of
    • Camera
    • Darkroom
  • About
  • Contacts
  • Cookie Policy (EU)
    • Privacy Policy

Making of Brittany II

2019-02-18
  • Making of

The photos in the Gallery Brittany II were made in August 2017 in the area between Saint Brieuc and Cap Frehel in the Departement Cotes-d’Armor. Camera was the Mamiya 645 Pro with lenses from 35 to 500 mm. All frames were shot on Ilford FP4 developed in Rodinal.

At the Viaduc des Ponts Neufs I had to wait quite some time for the sun moving behind the bridge from the chosen point of view. The photo “Closed” was made on the beach promenade of Pléneuf-Val-André. The huge lid of this outlet need the sun from the side so that the bars on it would create the shadows that I had in mind when I first sow this feature. The “Wind Shaped” trees at the coastline south of Pléneuf-Val-André form a nice wooden tunnel and make a great motive; the “Uprooted” trees were right next to them. “Seaborne” and “Sunset Bath” were more or less experimental. I had never used before 500 m lens with a 2x tele-converter giving a 1000 mm focal length. The two prints of the oyster farm “Half Tide” and “High Key Oysters” were both made from the same negative but on grade 3.5 and 5 respectively. The Abey of Beauport makes great black and white motives. I added a few items to the category steps and stairs that I like.

The term d&b in the description of individual frames of the gallery stands for “dodging and burning“

You may also like

  • Making of RUB NA
  • Making of Oldtimer
  • Title_Forest_in_Spring Making of Forest in Spring

Pages

  • About
  • Blog
  • Contacts
  • Cookie Policy (EU)
  • Privacy Policy
  • Site Map

Recent Posts

  • Making of Corfu 2024

    In fall 2024 I attended a…

  • Making of Greetsiel

    Greetsiel is a small port in…

  • Making of Ship Graveyard

    The story behind the images in…

  • Making of RUB NA

    About my Alma Mater and the…

  • Making of Zollern II

    About the photos in the gallery…

Archives

Categories

© copyright K.-G. Hinzen, 2019-2025.